Thursday 11 November 2010

The hypodermic model
Just like the syringe used to inject a drug into a body, the media ‘injects’ messages directly into the minds of the viewers/listeners/readers; and they can be as addictive as heroin.

This approach draws attention to the power that media producers have, and to the importance of the forms of media to which audiences have access.

The ‘injected’ audience is seen as passive and powerless. This model is mostly used when the effects of media on women or children are the subject of research. The way people use media remains unaccounted for.

Cultivation theory
As audiences watch more and more film and television, they gradually develop certain views about the world, some of which are ‘false’.

This approach draws attention to the fact that audiences gain a lot of their knowledge about the world from the media. It also recognises the important role the media have in our lives.

This approach can encourage views such as: ‘Crimewatch feeds perceptions that Britain’s crime rate is growing’ while not actually measuring this idea against the actual views of audience members. In other words, it’s hard to prove accurately.

Copycat(or modelling) theory
This approach suggests that people will imitate what they see in the media – e.g. if young people watch Natural Born Killers, they will go out on a killing
spree. This is not so much a ‘theory’ as an assumption perpetuated by the Press!

The power of this approach is that it feeds off (and mirrors) the types of concerns that parents have about their kids’ media use. It might encourage parents to stop their children from playing violent computer games, for example.

Firstly: different people see different levels of ‘risk’ in different media! So one person’s threat is another person’s light evening entertainment ... Secondly: while short term effects might be measurable, it is hard to measure long term effects of this kind. This is often the basis for moral panics
– e.g. rap music leads to gun violence.

Uses and gratifications

Instead of researching what the media do to the audience, this approach studies what the audience does with the media. This approach also takes account of people’s personalities and personal needs.

The audience is seen as active, and reasonably intelligent. Life experience in general is regarded as more influential than experience of media. The pleasures that the media offer audiences are not regarded as
negative!

Too much optimism about the ‘power’ and ‘choices’ of an active
audience can distract us from the power certain texts have, or the influence that media institutions and ownership may have on texts
and understandings.

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